How to blend paint to repair and match existing paint.

Chris_Hamilton

Trying to be the best me, I can be
Hi all. I figured I'd do this write up as both Crash and I thought we needed to have something here on the forum to refer folks to when asking about blending. I'll try to outline the proper technique to prep, and how to do a basecoat blend. Single stage the same principle applies. In this write up we will pretend we are repairing a silver Honda Accord that received a medium sized dent on the left rear door. We will need to repair the damage and blend into the front door and rear 1/4 panel to match the existing color. Techniques outlined here will apply to any car or blend repair. This is essentially how I have done them for 25 years. Other guys may have slightly different methods but the way I will describe will produce outstanding results. Apologies for the lack of brevity. :)

Part One.

1.Prep

Proper prep is very important. Any success later depends on doing the prep correctly. First thing is to pull all trim pieces that we can. In this case we will remove the door handles and the beltline molding, as well left mirror and the rear taillight. Then onto the repair. When doing the repair we want to keep the repair area as small as possible. Using tape to outline a border around the repair area helps to get you from getting sand scratches any further out from the repair than necessary. When you prime though you do not want to tape off and prime right to the tape leaving a hard edge. Extend your masking out far enough so that the primed area is contained inside the mask and you don't leave hard edges. When you block do not use too coarse a grit. This is one time when you want to use a finer grit to block with as the sand scratches coarser grits like 180 leave are hard to deal with when doing a blend. Block out in 320 dry. It is also important to put enough primer on the panel so that you only apply once and have enough millage to block it out and then wet sand it without going through.

Once you have the damage repaired and blocked out with 320, then you move onto wet sanding. First go over the repair/blocked area with 600 grit. Sand in one direction only. This is important. You are only sanding enough to remove the 320 dry scratches. Generally going over it 2X is enough. Once the primed area is sanded then you need to prep the adjacent panels. Using 800 grit wet, sand in one direction only. You are simply trying to flatten the texture. Do not try to get it completely sanded out. Don't hammer it. Check your progress often. Flattening the texture is enough. Don't worry about edges. In this case being that we are doing a silver metallic, sand the primed area with 800 as well. There is a reason for this, I will describe later.

TO be clear in our example we are sanding the rear door, as well as the front door and quarter panel completely.

After sanding everything then the final prep step is to use some sanding paste and a grey (not optional do not use maroon) Scotchbrite pad. Wet the car and the pad, apply some sanding paste to the pad and start scuffing the panels. I like to scuff in a circular motion. However you do it, be thorough. Keep the panels wet and keep the pad "full" of sanding paste. Full isn't the right word, but you want to apply it often as it is what is doing the scuffing. Using the paste also removes any road tar, or other contaminants as well.

When finished scuffing, rinse well to ensure no residue remains. Let the panels dry and then it's time to move onto the next step.

Mask the car off. A couple of tips. When you have a wheel opening, instead of covering the tire, back mask the wheel opening shut. This will go a long way to cutting down on trash in the finish. Anything you can back mask you should. In our example we are masking off the entire car except for the front and rear door as well as the 1/4 panel. I like to outline everything in paper, then come back and plastic the whole vehicle. Then trim the plastic and tape the masking paper to the plastic. Some will just outline in tape and use plastic only. However works for you. Keep your masking neat and tight. If you have trim that is difficult to remove you can do something called a "pull off". With a pull off instead of starting at an edge like on a beltline molding, you leave a 1/4-3/8" gap. Do all your masking. When finished you would then tape that edge. When you tape it do it in such a way so that when finished clearing you can simply pull off that final tape while the clear is wet. Doing it this way leaves very little edge. Often no edge at all.

Once masked you are ready to wipe it down with W&G remover. You can refer to the sticky on how to use W&G remover for more info. I will add a few things since I have modified my technique since writing that. Because of the sanding paste scuffing, the car should be clean enough that you can use only solvent based W&G remover. I like using a sprayer like the USC pump sprayer and spray the W&G remover on the panels, then wipe them off. It is important that you use a dedicated paint prep wiper. There are a lot of them. They are marketed as lint free wipes. The best value for the money is the Axalta maintenance wipes. They actually work better than Axalta's dedicated paint wiper. The maintenance wipes are nearly lint free. More so than the dedicated wipes. I think the part number for the Axalta's is E-4584.

Part Two to follow.
 
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Part Two

2. Painting

After wiping down we are ready. First thing is to tack off the panels and adjacent masking. I always tack the adjacent masking off as well. Best ones to use are the low tack tack clothes. Surgical Blue, Gerson Blend Prep are two I like. There are others. Once tacked, we are ready to spray. Tack after each coat of base BTW.

For our example we will not be sealing it. Our repair area is such that there are no sand throughs. Reason for this is especially if you are new to this, it's easy to get the start stop areas of the sealer showing through the clear. Meaning you can see a ridge of sorts where the sealer started and ended. You only do this if your primed area has no sand throughs. If you feel you must seal it, you can, but chances are the sealer will show through.

A. Basecoat blend

First key to a successful blend is to match as closely the existing color to the one in the product line you will be using. In this example being we are repairing OEM paint there are usually variants of that color. If your jobber can't automatically choose the correct one by using your VIN, then you must compare the variant chip deck to your color. Choose the one that most closely matches. When reducing your base use slow if under 80 degrees or so, or very slow if over 80. You do not want to use a low quality reducer. It will make blending harder. SPI makes the finest reducer that I have ever used and it's priced right. So use SPI.:)

After mixing your base finally we are ready to start blending. First coat of base spray just the primed area. You do not want to have any hard stop/start areas when spraying. How you achieve that is to move the gun slightly before pulling the trigger and keep moving the gun when you release the trigger. Doing it like this allows you not have hard stop starts and achieve a fade of each coat. And you avoid fanning the gun which can cause the metallic to be oriented wrong and a dry edge. Technique I described you never get a dry edge that way. Practice some to get the coordination of moving the gun (slightly) before pulling the trigger and moving the gun while releasing the trigger.

So after the first coat flashes, the second coat extend out slightly further each way. You are spraying light medium(best) to at most medium coats. Do not try to achieve coverage to soon. Just spray each coat a little farther out then the last. Important to keep from having hard stop/start areas that show through the clear. Continue until you have achieved coverage of the repair area. This usually takes 3-4 coats. Once you have achieved coverage, step back, relax your eyes and look at the blend areas on each side of the repair. Try to see if you can notice shade differences. The only thing that matters is shade. If you are very lucky and you can't see any difference then you can move on to clear.

Let's imagine though that with our example Honda we have a couple of problems. First we can definitely see a transition area from the old to new color. And our silver is a little splotchy as well. This is where a blending agent comes in handy. You can get blender at your paint jobber or you can use SPI Intercoat. What you do is after following the TDS of the product you are using or the SPI Tech Manual for SPI Intercoat regarding mixing, you mix the RTS (ready to spray) blender and the reduced base 1:1. You can mix them in any ratio really, but 1:1 will work for the majority of situations.

After mixing your RTS blender and RTS base, spray one coat over the entire repair area extending out past where your last coat of base stopped. Use the same technique as above. Moving the gun before pulling and after releasing the trigger. After it flashes stand back and look at the area again. If you can still see the transition or splotchiness then apply one more coat. Two coats should be all you ever need to spray to get the base to blend and to even out the metallic. So let's assume we were successful. We can't see the transition area between old color and new base and the metallic looks good. On to clear coat!

B. Clearing your panels.

Novices often make the mistake of trying to blend clear. One word for that. Don't! Instead, you should clear the entire panel. In the case of our Honda, we are clearing the two doors and the 1/4. Apply clear as normal. 2 coats if it won't be buffed and is a collision job or used car. 3 or more coats if you plan to buff.

At this point we are finished with the blend repair.


Please note that like anything, it takes practice and screwing up a few times to get good at blending. Don't get discouraged if you can't do Pro Level blends right away. I would advise that you practice on a junkyard fender or door before trying to do something important.


Post questions in this thread if you have them. Hopefully I didn't leave anything out.
 
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Why would you just not use the blender from the start?

Are you referring to the inter coat clear or the blending solvent ?
 
Why would you just not use the blender from the start?
I guess you could but you would have to do more coats. Most of the time it's not needed. I did it this way above to help someone who is trying to learn how to do a blend.
Are you referring to the inter coat clear or the blending solvent ?
I said SPI Intercoat above. Blending solvent is not used with basecoats. It is for clear only.
 
Why would you just not use the blender from the start?
When I was doing this every day, I would use blender maybe one time out of ten. Usually because the color I was using was a couple of shades off from the color on the car. Only way to make it blend out and the transition un-noticeable. You can also use it for a "wet-bed" which I did not go into above. Just tried to keep it basic.
 
In case anyone was wondering about the masking part of what I wrote here is an example. Lost my old phone so these are the only pics I have that show backmasking and how I tape with paper and plastic. In the first pic, if you look at the bottom of the door you can see where I did a pull off to avoid having to remove the rocker molding. Left no edge or evidence that it was cleared. Key is to do it as soon as you finish clearing. Don't wait till it dries. Clear should be wet and sticky.
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One of the biggest keys to success when doing this is using high quality slow or very slow reducer in your basecoat. Doing so keeps you from getting dry edges and allows the metallic to orient correctly (if you are doing a metallic). Even if it's a solid color, high quality reducer is very important. Again SPI makes the best reducer I have ever used.
 
With a pull off instead of starting at an edge like on a beltline molding, you leave a 1/4-3/8" gap. Do all your masking. When finished you would then tape that edge. When you tape it do it in such a way so that when finished clearing you can simply pull off that final tape while the clear is wet. Doing it this way leaves very little edge. Often no edge at all.
Curious why this technique leaves no little to no edge vs masking to the edge with a single peice and pulling while wet?
 
Curious why this technique leaves no little to no edge vs masking to the edge with a single peice and pulling while wet?
I think what Chris is talking about is that the masking tree attaches a piece of tape to your paper, don't try to be perfectly accurate with this, leave a little space for a second piece of tape that you can pull off without ripping up all the masking.
 
Only thing I can think to add is whatever panels that are getting blended into there should be no color on the far edges of the taped off panels.
There needs to be enough room for the blends. The edges should remain the car color you started with. Hope that made sense.
 
The enough blend room rule of thumb in my neck of the woods is distance from the primed edge of the repair to the edge of the next panel: 12" for solids, 18" for metallics, give or take.
 
Curious why this technique leaves no little to no edge vs masking to the edge with a single peice and pulling while wet?
You can do that but it's much easier to leave the masking on and just pull a single piece of tape. I'll try to describe again what I mean by a "pull-off". I will start my masking by laying tape on the edge of what is being masked. In certain places, (like the rocker panel molding in the pic I will tape close to the edge but not all the way to it.

Say I have a beltline molding (the one around the bottom of the window on late models) that I know will get damaged by removing it when painting. I will tape close to the edge leaving a small gap at the edge closest to the paint. I then do my masking. When finished I come back and tape to the edge in those places. At the end of the taping, I will fold the end of the tape over on itself to create a tab and stick it to the masking paper. When I finish clearing I pull the tab and pull the tape off ( back over on itself) while the clear is wet. If you pull it wet it leaves no edge like it would if you did it after the clear sets up overnight. It works so well it's really amazing. Undetectable when done right.

I learned it from Vito Damonte, owner of the original River Ridge Auto Body (Lynchburg Va) many years ago. Lots of guys out there have never heard of doing this which is why I try to describe it. You have to be accurate with the tape, but that gets easy after a few times. In the collision side, I would use it all the time to make time. Stuff like the rocker molding and beltline molding would eat time trying to remove them undamaged, and often get damaged trying to R&I it. Time is everything in collision. So I do this instead.

As for why it leaves no edge? I can't give an you exact technical answer, best I can tell you is because it's wet when pulled, that works together with the edge of the tape itself to break up the clear on the edge. Maybe it flows out a little after pulling the tape. IDK. I only know it works.
 
Think of a pull off as masking the entire car but in places like belt molding etcs leaving a 1/4" gap at the edge closest to the paint. Then you come back with tape, and tape that gap. That is your pull off. When you finish clearing you pull that piece off and voila.
 
Think of a pull off as masking the entire car but in places like belt molding etcs leaving a 1/4" gap at the edge closest to the paint. Then you come back with tape, and tape that gap. That is your pull off. When you finish clearing you pull that piece off and voila.
I use fineline as the pull off. A bit easier to get the edge tighter. I also use a sharpie to mark the end I want to pull off. And, I double up the end to make a handle to easily grab.
 
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